00:00	The piano starts with the melody, with very light comping in the left hand.
00:22	Drums plays a traditional ride pattern. The bass walks more traditionally.
00:47	Strong cadence and end of the first ideas.
00:56	Improvisational solo begins and the bass and drums respond to short statements from the piano. This is reminiscent of Thelonious Monks playing style.
01:14	Notice the large intervallic leaps, another of Monks traits.
01:56	Short abrupt ideas that sound like quotes from Monk solos.
02:20	Notice the activity of the bass player. It is much freer than the earlier walking-bass patterns of the bop players. It seems to always have an independent and soloistic nature.
02:50	The improvisation becomes more fluid.
03:05	The drummer becomes more active in the dialogue.
04:05	Back to the short motivic ideas associated with Monk.
04:21	The rhythm breaks down and becomes less straight-ahead.
04:50	The rhythm remains loose.
05:10	The drums becomes much freer.
05:19	The drummer becomes the solo lead with short fills from the piano.
05:44	Piano assumes the lead again.
06:10	The piano works with a new motive.
06:34	The drums solos and the piano moves into the background.
07:02	The cymbals are the main texture here. The bass also becomes less active but continues with fill ideas.
07:59	The drum solo looses energy.
08:10	The focus comes back to the piano.
08:35	The drums and bass return to more traditional patterns of accompaniment.
09:50	The drums and bass pick up the activity and act more independently.
10:30	The texture continues to intensify.
10:48	Everyone backs off and suddenly stops.
11:00	End.